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The Last Queen Offers a Vivid Glimpse of Renaissance Europe

February 28, 2010

The Last Queen by C.W. Gortner
published by Ballantine Books May 5, 2009

The Last Queen opens in 1492, a “Year of Miracles.”  A Portuguese explorer claims to have found a “New World” after landing on a mosquito-infested island, and Catholic monarchs Ferdinand and Isabella have achieved the “reconquest” of  Spain from the Moors. Juana of Castile, the second daughter of Ferdinand and Isabella, grows up in the midst of holy wars between Catholics and Muslims. We see makeshift tents and smoldering embers on the battlefield, glimpse catapults and flaming rocks hurled at castle walls, and feel cinder dust in our faces as this novel pulls us in.

Juana grows from an intelligent, spirited girl, filled with wonder about the world around her, into a beautiful young woman. Like her sisters, she has been reared to make a politically advantageous match. As soon as she is of age, she is wed to Philip of Flanders. Known as “Philip the Fair” for his good looks, he wins her heart, and her passion for him continues even as his egotistical, petty, ambitious nature begins to infect her life.

This portrait of Joanna was done in Flanders, ca 1500: it is a detail from the wings of the Last Judgment Triptych of Zierikzee, by the Master of Afflighem (Royal Museums of Fine Arts of Belgium) (Source: Wikipedia)

Juana is probably best remembered for her eccentricities. She was passionate about Philip, raged openly against his infidelities, and as a young widow, kept the coffin containing his corpse with her for many years. She was known as Juana la Loca, Juana the Mad. Historians have speculated that she was schizophrenic or bipolar.

In The Last Queen, Gortner casts her in a more positive light. She is an intelligent, passionate, courageous woman driven by her loyalty to her family and her love for Spain. She is forced to fight against men she has loved to defend her role as Queen Isabella’s successor to the throne and to protect Spain from ruin.

Gortner did an amazing job of animating this character and making me care intensely about her. I felt Juana’s love and loyalty, passion, misplaced trust, rage, and terror. He ingeniously draws us into her mind and emotions, revealing infamous episodes from her life from a different angle so we understand her actions. He also touches on a important facet of history that we don’t get from textbooks, the misrepresentation of women as emotionally unstable, hysterical, and even insane to rob them of their power.

This is a beautifully woven story with a wealth of historical detail, compelling characters, and vibrant descriptive writing. The author took me through the landscape of early Renaissance Europe with rich, colorful descriptive detail without slowing down the pace of the novel. It is suspenseful and moving, even heart-wrenching. I read this 360+ page book practically in one sitting, staying up until the wee hours of the morning. I just didn’t want to put it down!

C.W. Gortner is an author I will be watching closely, and I can’t wait to read Confessions of Catherine de Medici, which will be published in a few months, and The Princess Isabella and The Secret Lion, which are works in progress.

Learn more about this author here

Where I Got This Book: I bought it.

Recommended By: Jenny at Books, Just Books

Read More Reviews: Historical Tapestry; Books, Just Books; Hist-Fic Chick; The Burton Review; Confessions and Ramblings of a Muse in the Fog

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One Comment leave one →
  1. October 11, 2010 10:51 pm

    That sounds like a really interesting read! Now I want to read it!

    Peace and Laughter,
    Cristina

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